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Wisdom Reflected
HuiShan Yang
9 in x 11 in x 7 in
Original:$5,340 Buy
Peony in White
HuiShan Yang
13 in x 9 in x 6 in
Original:$7,340 Buy
Prajna Sutra
HuiShan Yang
15 in x 13 in x 4 in
Original:$12,700 Buy

Guanyin in Water
HuiShan Yang
8 in x 5 in x 4 in
Original:$4,300 Buy
Motionless Guanyin
HuiShan Yang
9 in x 7 in x 4 in
Original:$5,000 Buy
White-robed Guanyin
HuiShan Yang
11 in x 8 in x 4 in
Original:$6,700 Buy
Artist:  HuiShan Yang's Portpolio
 
Biography:  HuiShan Yang was a household name in Taiwan. In the 1970s as a result of her renowned acting career and her later films "The Young Runaway" and "Kwie Mei, A Woman". For two consecutive years she won the highest accolades in the Taiwanese film industry for a female lead actress. She was presented with Golden Horse Awards. For another work "Jade Love", she is awarded for best actress prize at the Asia-Pacific Film Festival. At the juncture she was the leading actor in the contemporary Taiwanese cinematic world.

In 1987 when she was at the pinnacle of her career she left the film world to devote herself to modern Chinese glass, establish the Liuligongfang, and to study and master the unique technique of cir-perduc glass art production. Over ten years, the Liuligongfang, as the modern glass art workshop working in a Chinese artistic style, has fully fulfilled and maintained its stated intention of exploring, experimenting and producing fine works. At the same time, Ms. Yang has also been one of a tiny handful working to promote modern Chinese glass art.

During the development of Liuligongfang, Ms.Yang has used her individual artistic gifts and her acute powers of observation to create sculptured works in glass. They are richly imbued with a traditional Chinese artistic vocabulary and human philosophy. Enabling Liuligongfang to take its place on the international artistic stage within a very short time.

Statement:  Liuli is glass, ancient Chinese glass; its origins lie deep in the mystery of one of the world's great cultures. No amount of research can strip it of its alluring mystique. The more we learn about liuli, the more we marvel at it.
Notes on Liuli in the Wu Kingdom by Wan Zhan in "Unusual Thing so the Southern Lands" and again in the early Qing by the Scholar. Sun Tingquan. In Yanshan Zaji emphasis the uniqueness of this ancient, precious art.
More than just objects, Liuli resonate with Oriental history. Formed by the hands of the ages, filled with meaning beyond words, an art, which carries the spirit of a people. Liuli has value beyond its own purity crafted and molded, delicately formed it is sculpture of liquid stone.